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Tuesday, June 15, 2010

Pukapuka Poem #25 Livin' ina Aucklan' - Michael O'Leary

Livin' ina Aucklan'

 all too soon it is over
stepping down on to the platform
(an almost perfect concrete curve of old-world technology)
and watching the train move away towards the west
like a memory of love

a railway is the most melancholy of transport modes
and when you are aboard
the motion is one of subtle love-making
– as the train pulls out
from the station you stepped down at . . .

it is your lover leaving, rolling down the track

all this on a two minute trip to Avondale
but I defend the suburban services
saying romance is not confined to the Orient Express
and Mount Albert is as important as Montmartré
if you live there

once new and unknown
love is like a railway ticket held in my hand
but it has been clipped
as I stand alone on wind-swept Avondale platform
watching the train pull out of the station, I . . . 

Monday, June 14, 2010

Pukapuka Poem #24 - 'After the Flood' Michael O'Leary

After the Flood
(Paekakariki, October, 2003)

You expect more protection in the ‘Month of Our Lady’
As the rains hit hard driving along Centennial Highway
The waters washed across the road, up to the car’s door
Threatening to sweep us out to sea through the gap
            In the sea wall

The car radio tells of our township under threat
And a plane is down further up the coast
‘Our Lady’ must be feeling terribly neglected
For the flood waters are rising further now
            As the cars crawl 

Darkness covers the drowned town
When we finally arrive around midnight
Taking in some stranded roadway refugees
My brother wades through waste-high water
Bringing back wine from the semi-submerged pub

The morning, no, the week after
Reveals the extent of the disaster
Out of the Phoenix of Flood
Rising from the filth and mud
The bird of Aroha and community
Gives us the feeling of unity
The people rally to help each other
Paekakariki becomes sister and brother

Sunday, June 13, 2010

Pukapuka Poem #23 - Michael O'Leary

While Your Guitar Violently Wails -
(to George Harrison)

Despite the high-walls fortress
Of your many-roomed mansion
It seems that living in a convent retreat
Could not keep the madness out

The Beatle-Witch which you
Had become in the mind of a fellow
Liddypoolian was to be extinguished
As an aspect of evil in the material world

Like John, you had become a single fantasy
Of someone’s over-rich, heat oppressed mind
Which sought to find the sense of utu
For your success and failure

George, the quiet one, almost eternally silenced
By an eighteen centimetre blade
Beware of sadness and the written word
Which comes back to haunt those who

Scoop it from the cauldron - who sew
The chords of discord in a song

Saturday, June 12, 2010

Pukapuka Poem #22 - 'The Mind of My Lai Revisits Da Kapital' Michael O'Leary

The Mind of ‘My Lai’ Revisits Da Kapital
(for David Mitchell)

So this is what happens to our poets, neat
Soft-shoe shuffling along Oriental Parade
The internal massacre is about complete
As a handshake equals a kind of charade

“E hoa” I say, and then repeat my own name
Over and over in an attempt to get through
But your semi-toothless grin and the insane
Grimace, you are not here at all, but it is you

Like a sad combination reminiscent of Groucho
And Harpo in one, without the humour, your spirit
Seems to have deserted you. But, ouch, I know
Donna Awatere, becomes yr Remuera Hsfrau, is it?

Achtung, Baby, Babi Yr an’ all aside
p.s. the ships look beautiful as they glide . . .

Friday, June 11, 2010

Pukapuka Poem #21 'Nuclear Family' - Michael O'Leary

Nuclear Family – A fragment

In dreams I walked
            Through crowded, confused streets
            Where people, scurrying like rats
                                                on a sinking ship
            Ran in all directions towards survival

In dreams I moved
            Through a human fog
            It was my single purpose
            That kept me going, and
            Kept me from going insane,
            To find you and the child whom I love

When I saw you in the hall of mirrors
            Like all the other victims
                                                you radiated decay
            Your hair had shrivelled and gone grey overnight
            I held my arms out-stretched
            Hoping you and your child would embrace me
            But you turned away
                                                 and she ran to you, as if I were
                                                                                             a stranger

I picked up my gun
            And went outside where things weren’t quite
                                                                        so grim
(I mean this war has killed love
                        so what’s a pile of rotting bodies)
In my uniform, I watched the beauty of
                                                            another atomic flash
            A tank drove by
                        I jumped aboard
                        And we headed toward
            The war which can never be won!

Thursday, June 10, 2010

Pukapuka Poem #20 - Michael O'Leary

Lambton Interchange

Lambton Interchange, where train and bus
Together with the tar-seal of the road maker
Intertwine to disperse the earth-quaker
Overhead wire, underwheel rail transport us

Away from Beehive drones, Cathedral bricks
The fear we live with in this city is thus, at least
We wait, as a sacrificial feast to the hungry beast
We will be swallowed by the monster’s tricks

Lo, the taniwha o kai whenua will then eat
The stadium, to serve as afters, and immerse
The downtown centre of trade and commerce
Into flooded old financial Featherston Street

Finally, the lights and shops of Lambton Quay
Will be digested, discarded and sent out to sea

Wednesday, June 9, 2010

Pukapuka Poem #19 - Michael O'Leary

Kia Aroha

Listening to a poet reading poetry
Was the small flicker of flame
Which lit this poem in my heart

When he, with another woman in mind,
Mentioned a furcoat-wrapped woman
Your image leapt at me, is now here to stay

I have carried you all day with me
Through the hard-nosed life of a labouring man
Your beauty is so strong that I weep inward

Yet, like your Master’s kingdom,
Our love cannot be of this world
You exist for me as He does for you

And your husband and your children
Stand between us like trees against the horizon
At the point of sundown and the rising darkness
                                                             I see you